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The Directors of Captain America 3 Are Making It Sound Really Cool Almost 2 Years Before We’ll Get To See It - Dammit.

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everybody hurts

Last we heard from Captain America: The Winter Soldier directors Joe and Anthony Russo they were winning our hearts by talking about how they like to take a little thing called logic into account when writing their screenplays. Well, with the Winter Soldier DVD/Blu-ray just having come out, they’re still doing press junkets, and that’s yielded some quotes about how fans are going to “freak out” about Cap 3, which they’re also directing. Guys. Quit playin’ games with my heart.

Speaking to Movies.com, Anthony Russo teased the arrival of a new character to the Cap franchise, saying “I can’t divulge who is going to be in the film, but I think fans are going to freak out when they hear about it.” One possibility is Hawkeye, given Jeremy Renner’s statement about there being “rumblings” of his character being in Cap 3. Personally, I’m holding out for Doop.

Not only that, but there’s going to be a big twist in Cap 3, similar to what The Winter Soldier did with SHIELD and HYDRA. Intriguingly, it’s related to the yet-unannounced title, of which Joe Russo said to CraveOnline: “If you’ve been talking to [Marvel Studios president Kevin Feige], the title has been in place probably for ten years in his brain. It’s all part of the road map that he’s laid out, and it’s all part of the bigger plan.”

Feige’s road map has certain huge things taking place in the MCU, with individual writers and directors given autonomy on more film-specific events. “The big thing we knew we had to deal with in Cap 2 was the fall of Hydra,” explains Joe. “Similarly there is a very, very big idea at the center of Cap 3… Usually it’s just one big idea that alters the universe as a whole in some way, that has interconnectedness that [Feige]’s grabbed on to. That’s the case with Cap 3, but as far as villain and story arc and tone, all that stuff is left up to us.”

Anthony also spoke to MTV about the trilogy having “a beginning, middle, and end”—which isn’t news, it’s storytelling. But he then went on to say that “the great thing about the Marvel universe, just like the publishing, it’s a very vast, inter-connected universe, where characters will have their rise and fall, so to speak, and hand off to other characters. As the cinematic universe moves forward, you may start to see the cinematic universe adopt that same pattern, as the publishing has, where there’s closure with some characters and new beginnings with other characters. How those hand-offs are made is always part of the fun.”

So is he speaking in the general sense, or could Steve Rogers be handing off his shield to another character (Sebastian Stan, say, who has a 9-picture deal with Marvel) at the end of Cap 3? Not so fast, says Chris Evans:

“Who’s handing off the shield? Don’t take my job from me prematurely dude… not yet. I’ve got a few more movies I’ve got to finish first — which I’m happy to do. I’m sure it’ll happen at some point, all good things have to come to an end. But I’m really happy playing the character.”

But there will still be Bucky. Oh yes, there will be Bucky. Break our hearts, Anthony:

“The relationship between Cap and the Winter Soldier was never resolved at the end of the last movie. Thinking about where that relationship can go is a piece of the puzzle for us for sure. That character is a wonderfully, beautifully tragic figure in the sense of is he the world’s most feared assassin or is he the world’s longest-serving POW? Is he innocent by reason of insanity or the equivalent of it because he’s been mind controlled or is he irredeemable? Is he ever going to be acceptable to Cap again as the friend that he used to be before he was the Winter Soldier? These are very philosophical, emotional questions that pique our interest and definitely form one layer of the next movie.”

May 6, 2016 isn’t that far away. I can definitely make it. *twitch*

(via The Hollywood Reporter, Pajiba)

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Anthony Mackie Wins The Captain America: The Winter Soldier Blooper Reel

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To celebrate the blu-ray and DVD release of Marvel’s Captain America: The Winter Soldier (out now!) here’s a peek at its blooper reel. Fair warning: Anthony Mackie is adorably hilarious. Even Chris Evans thinks so.

Now here’s Cap and Black Widow try to be SUPER SRS.

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And IIIIIII-EE-YIIIIIIIIII Will Always Love This Winter Soldier Musical Crack!Vid - Bye bye Li'l Sebastian!

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This has been making the rounds on Tumblr, but if you don’t spend far more time than is technically advisable looking at the same old gifs, jokes, and infuriating posts than you really should considering how many other things you have to do (not that I… I mean, why would I do that? I am a productive, adult member of society), you might not have seen it. I am here to rectify that, and also to fill your morning with love, laughter, and Whitney Houston.

(via Tumblr)

Previously in perfect videos

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Agents of SHIELD Recap: “Heavy is the Head” - Science bros!

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aos-hunter1

“Heavy is the Head” was part two of the season premiere, picking up exactly where the first episode left off. Where “Shadows” was filled with lovely character moments and personal development (promising a more character-focused second season), this week’s episode suffered from having to do the business. “Heavy is the Head” was heavy in the plotting, but I can forgive it. They have a whole season’s worth of plot lines to set up, and I’m just glad it wasn’t all crammed into the premiere.

[This recap, as with all our recaps, contains spoilers for the episode, so fair warning. ]

Our new merc team has been decimated by half after that car crash – and, yes, Izzy was fully buried in this episode, so if we’re going to be seeing more of Lucy Lawless on SHIELD she’s either going to be a different character, or clawing her way out of the ground like it’s an early episode of Buffy. On the other hand, Nick Blood’s Lance Hunter (which I can’t believe is something real that I just typed) came into his own (especially now that Idaho is dead so I can tell them apart), displaying the motivations behind his less-than-savory actions; and, eventually becoming an honest-to-goodness member of SHIELD.

Shield3

It’s interesting that SHIELD seems to have replaced Ward with, not just one, but three new dude characters: Tripp, Hunter, and Mac. I’m just saying, maybe Hunter could have been an awesome lady? Or maybe he could have died instead of Izzy? Because then we would have had a queer lady on the squad? But hey, there’s always hope for the future, I guess.

Ward was actually noticeably absent for this entire episode – which, I’m not going to lie, was pretty great. I love the direction the SHIELD writers are taking with Ward’s character based on the previous episode; but I’m also wary of them making him back into a good guy. A little more time with Ward locked away in the dungeon just feels right.

Shield4

Mac, the world’s hunkiest mechanic, also got a little more characterization in this episode, as he was the only dude on the whole team who treats Fitz like he’s still a human being. Skye and Tripp walking on eggshells around the scientist does him no good; it’s only Mac, who – while blunt – treats Fitz like he’s still Fitz, who can get some progress out of my tiny Scottish prince. It was actually quite a poignant look at behaviour around people with health problems or disabilities. Meanwhile, I’m still crying over Fitz because my poor tiny Scottish prince.

SHIELD7

On the other end of the “I want to hug you until it’s better” spectrum, Skye is back to her usual irritating antics (that didn’t take long!). Hopefully it’s just a single-episode anomaly, but I really can’t stand characters who are too obsessed with their own feelings to empathize with anyone else. Her best moment this episode was clearly the penis joke.

Shield6

Sure, Skye is worried about Coulson, but she’s also clearly demonstrated over these two episodes that she misses her Spy Daddy bonding time. Sorry, Skye, but Coulson’s kind of busy, you know, being the director of an almost-nonexistent organization and drawing weird alien shit all over the walls.

Shield2

Does SHIELD seriously not have enough in the budget to get this man a dry-erase board?

Honestly, though, I’m glad to see Coulson is subverting the “everyone has a deep, dark secret” trope and just straight-up told May about his little alien problem. Coulson is a man of SHIELD even in his moments of crisis; he knows by allowing May to document his drawings and his “episodes,” they might be able to find something in them which could help Earth in the future. None of this “sulking alone because it’s manly” business for Coulson. He knows what’s up.

Shield1

Plus, Skye won’t even need Spy Daddy once Actual Super Creepy Daddy shows up to re-introduce himself! I’m also glad to see Raina back in this episode; she was my favorite part of the first season of SHIELD, and I like that she’s moved on in her quest for answers to Mr. Skye. Admittedly, I would love to see Raina as the big bad, eventually, instead of the sidekick to a bunch of dudes, but I’m hoping that’s coming down the line.

Shield5

We got another Peggy cameo this episode, an image in Coulson’s office, which is always nice to see. I must say, though, I’m starting to worry a little bit about the integration and focus on Peggy and Agent Carter; I would hate to see the first half of the second season of SHIELD basically just become a big set-up for the Agent Carter premiere, in the same way the first half of the first season of SHIELD was just a set-up for The Winter Soldier.

Shield8

Oh, and one last thing about last week’s episode, before I let you all go: it was a Kree in the box at the beginning of the episode, right? This guy?

Kree

I’m just saying, give him a good face paint job and a very attractive voice and that’s definitely someone who could easily pass for Ronan the Accuser. EW picked up on this and asked Clark Gregg for a comment, to which he responded: “That’s amazing that you picked up on that. That’s un-kree-lievable.” Puns.

And, of course, there’s this tidbit from Gregg’s Facebook, too:

Where can I start the petition to have the Guardians of the Galaxy show up on SHIELD? I mean, Chris Pratt mostly does TV anyways. It wouldn’t even be a big deal. Let’s make this happen, team. Get on it!

Previously in Agents of SHIELD

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Things We Saw Today: Adventure Time Dog Toys for the Discerning Canine

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“Oh my Glob, get me out of your mouth!” There’s also a “Dude, be calmed by my saliva” dog shirt, as is only right. (Entertainment Earth, via Nerd Approved)

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Oof. My heartstrings did not need to be tugged at like that. Thanks a lot, Charming Clay Creation. (via: Fashionably Geek)

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[Updated] An In-Depth Look At Each Of Marvel’s Huge Phase 3 Films (And What They Mean For All Comic Book Movies) - SO MUCH THINGS GUYS

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Yeah

Marvel’s big announcement today means a lot, for the future of their films and for comic book movies as a whole. Let’s take a good look at everything we know about each upcoming film. And freak out some more about Captain Marvel.

In a broader sense, Marvel’s announcement and Warner Bros. recent DC Comics films announcement mean huge things for the future of comic book movies. In a genre which has been widely dominated by straight white male leads (and, no, I’m not counting Catwoman and neither should you), between the two major comic houses we’re getting multiple films led by women and people of color.

Over on the DC side, we have Gal Gadot as Wonder Woman in 2017, Jason Momoa as Aquaman in 2018, and Ray Fisher as Cyborg in 2020 (along with a recently-announced Supergirl TV show). Marvel is giving us Black Panther in 2017 and Captain Marvel in 2018, with Luke Cage and Peggy Carter hitting our TV screens over the next few years. If those properties do well (and they hopefully will – they’re superhero films, and people will see them) this might prove to The Powers That Be that you people will still fork over cash to see flicks that don’t star Common White Dude. That could lead to way awesomer things, like a Black Widow solo film, or a new Batgirl TV show based on the recent re-launch (which I would die to see).

[Update: here's a video a fan captured of the press conference. Watch it before it disappears! Personal favorite moment: The Infinity War trailer, starting at 10 minutes and 37 seconds]

Okay, now let’s dive into the specifics of each film Marvel announced today, and what they mean in the context of the grander comic book and film universes.

Civil War

The next Captain America film will start Marvel’s Phase 3 off in 2016, and will be based on the best-selling limited cross-over series from 2006 written by Mark Millar. In the comics, the US goverment decides to enact a Superhero Registration Act for the safety of all citizens, compromising their secret identities. Iron Man leads the charge for registration, while Captain America is firmly against it – and the rest of the world’s superheroes take one side or the other, battling it out.

Obviously in the MCU, Civil War will have to work a little bit differently since there really are no secret identities to speak of, and because Marvel doesn’t own the film rights to a whole whack of their own superheroes. Feige had this to say on how it’ll work in the films:

I don’t want to give too much away, but needless to say, the generalities of the act are the same. Something happens, perhaps it’s cumulative for things that have happened though all of the movies leading up to this point. It has made the governments of the world say “we need to have some oversight of these guys. They need to report to somebody. So it becomes more… it falls under that umbrella, rather than “you have to take off your mask.” It’s not about the secret identity thing, as much as it is about, overall, who reports to who, and who can agree to oversight committee. Because as of now, in Avengers 2, there is no more security council, there is no SHIELD, obviously. Stark is paying for it, Captain America is running it, and things occur that will make governments begin to question.

So I guess that means neither Cap nor Tony are dying in Ultron. Well, we hope.

Feige confirmed Black Panther will also appear in Civil War, though it’s not clear which side he’ll be on – in the comics, he was busy marrying the X-Men’s Storm in Wakanda. Storm, I believe (and correct me if I’m wrong, it’s been a while since I’ve read the event), was anti-registration so they might put Panther on Cap’s side – especially since Carol Danvers (Ms. Marvel, at the time) was pro-registration, so the two newest members of the MCU could face off in Civil War.

In aweome(r) news, Civil War will be directed by Joe and Anthony Russo, the same guys who made Winter Soldier so successful. And, sorry, fans who were hoping for Captain America 3 to be “Serpent Society.” Feige said in regards to that storyline: “there are always plans, but mainly jokes.”

Doctor Strange

Okay, let’s just get this right out of the way: Benedict Cumberbatch has not been officially confirmed for Doctor Strange. Yes, people are saying “negotiations are about to begin,” but as Feige said today:

Which means, hallelujah, there’s still time for them to cast Oded Fehr or Pedro Pascal. Do you hear us, Marvel?

It’s also widely accepted that some items related to Strange showed up in Odin’s vault in the last Thor film. What we do know for sure is that the flick is going to be directed by Scott Derrickson, who has pretty exclusively done horror films (Sinister, The Exorcism of Emily Rose, Deliver Us From Evil), so this is going to be interesting. The script is being written by Jon Spaihts (who also wrote an early draft of Prometheus where someone explodes during sex, what could go wrong?), while the first pass was done by Thomas Dean Donnelly and Joshua Oppenheimer (A Sound of Thunder, Conan the Barbarian, oh dear). I’m not sure what a horror movie director and those writers are going to do with a film about Earth’s primary protector against magical and mystical threats, but I’m very curious to find out.

As long as Oded Fehr or Pedro Pascal are cast as Strange.

gotg2

It’s no secret I saw Guardians of the Galaxy four times this summer, so I’m obvious pretty excited to see the a-holes back in action. If Carol Danvers is in the MCU game by this point, I’d love to see her chastising them in space a little bit (Rocket Raccoon especially hates her cat).

We know GOTG2 is being written and directed by James Gunn, which is great; except Nicole Perlman, the original screenwriter of the first film and the first woman to have a screenwriting credit on a Marvel film, isn’t going to be involved in the sequel (she’s going to be writing a Gamora comic, though). We’ve heard many times that, despite Gunn’s jerky comments about her and her writing, Perlman’s influence was a huge part of what made Guardians so good. When the second film comes out, it will be interesting to see if we miss her voice.

We know all the Guardians we be returning (and potentially another Guardian from the comics), and everyone thinks James Brolin and Karen Gillan will be back as Thanos and Nebula (especially since Thanos will be the major villain in Infinity War). We’re going to be learning about Star-Lord’s mysterious father – who is not J-Son, his father from the comics. All I want is a super-sweet Awesome Mix Part 2, and I’m happy.

ThorRagnarokLogo

Feige was careful to point out that “Ragnarok” means “the end of all things,” so that doesn’t bode well for our titular hero (but perhaps it does bode well for a female Thor in future films? Hey, a girl can dream). The flick is definitely going to involve Armageddon if we’re going with the Ragnrok storyline. Basically, Loki summons Surtur, leader of the Fire Demons of Muspelheim (stay with me here), and they are supposed to bring about the destruction of all the Norse gods. In the comics, Surtur is eventually defeated by all of the Avengers and Doctor Strange (HOW CONVENIENT).

Who knows, really. But that all works pretty well with the current film line-up and the end of Thor 2, dontcha think?

Click over to the next page for our in-depth look at everything we know about Black Panther, Captain Marvel, Inhumans, and Avengers: Infinity War!

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Things We Saw Today: Actual Superhero With Mini Version Of Himself OH GOSH - We love you, Anthony Mackie.

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Is there anyone who loves being a superhero more than Anthony Mackie? Bless. (via Twitter)

This photo, which Susana pointed out looks like the closing shot from an anime, makes us all misty-eyed with nostalgia. (via Twitter)

An appropriately (if accidentally) moody photo of two of our literary heroes. (via Twitter)

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The ’80s Fan-Made Version Of Captain America: The Winter Soldier Has a LOT More Explosions, Somehow - If you're going to make enemies, you better make sure it's not America!

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Steve Rogers missed out on all the straight-to-VHS goodness of schlocky ’80s action movie trailers when he was frozen under the ice for the better part of the 20th century, so it’s only fair that the Internet gets him up to speed—and this trailer does the job excellently, complete with a TOTALLY SERIOUS NOT AT ALL CHEESY revenge plot. Seriously, it’s so good I’m not even mad that Black Widow only barely makes an appearance. Let’s be honest, that’s exactly how this kind of trailer would have gone down back in the day, anyway.

One question, though—are we sure that’s Chris Evans playing Captain America? Sure sounds like Lucas Lee to me.

(via Rebecca Pahle on Twitter, because of course)

Previously in AMERICA!!!!

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The Most Pirated Movies of 2014 List Is Full of Your Genre Faves

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mony

We know people chronically love downloading Game of Thrones, but what movies took the yarrrcake in 2014?

With security firm Excipio, Variety broke down the numbers of what people loved to watch online for free the most this year, and there are a lot of lady-led genre films on the list. We must, of course, recommend that you support female vehicles like FrozenGravity, and The Hunger Games whenever possible, but even I would make an exception for Divergent. Still, you’ve got some good taste, pirates (and ninjas too, calm down).

There’s a bit of hinkiness in the data – apparently Robocop‘s numbers were conflated with downloads of the original film, and Legend of Hercules‘s data includes The Rock’s Hercules (as should all things). Here’s the full list:

1. The Wolf of Wall Street (30.035 million)

2. Frozen (29.919 million)

3. RoboCop (29.879 million)

4. Gravity (29.357 million)

5. The Hobbit: The Desolation of Smaug (27.627 million)

6. Thor: The Dark World (25.749 million)

7. Captain America: The Winter Soldier (25.628 million)

8. The Legend of Hercules (25.137 million)

9. X-Men: Days of Future Past 24.380 million

10. 12 Years a Slave (23.653 million)

11. The Hunger Games: Catching Fire (23.543 million)

12. American Hustle (23.143 million)

13. 300: Rise of an Empire (23.096 million)

14. Transformers: Age of Extinction (21.65 million)

15. Godzilla (20.956 million)

16. Noah (20.334 million)

17. Divergent (20.312 million)

18. Edge of Tomorrow (20.299 million)

19. Captain Phillips (19.817 million)

20. Lone Survivor (19.130 million)

What movies did you refuse to pay for this year?

(via Gizmodo)

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See How They Make Chris Evans So Darn Handsome In The Winter Soldier VFX Reel - Chris, you helicarrier-exploding meatball!

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Just kidding of course, Chris Evans is handsome all on his own. But this fascinating VFX reel from ILM does give us a look at how they created S.H.I.E.L.D. HQ, exploding helicarriers, the epic final Bucky/Cap fight, Anthony Mackie’s sweet Falcon skills, and that awesome moment where an older woman turns into Scarlett Johansson.

According to ILMVisualFX,

This reel represents a small sampling of the nearly 900 visual effects shots ILM contributed to the film created by an international crew of 300+.

The bulk of ILM’s work appears in the film’s third act and consists of the helicarrier’s massive underwater hanger, their ensuing battle, and the helicarriers themselves inside and out, sprawling digital Washington D.C. and Rosslyn environments including the Triskelion building complex on Roosevelt Island, highly detailed digital doubles for Black Widow (Scarlett Johansson) and Falcon (Anthony Mackie).

(via Lesley Coffin)

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Women Like Marvel’s Agent Carter Were a Very Real Part of History

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N.

U.S. Navy WAVE

Over Christmas, I picked up and dropped off my grandmother at her assisted living home. She is well into her 90s now, little and slow. But as a family, we take some pride in the fact that she has one of the better decorated rooms in this home. It includes things from her house she holds dear; blankets, pictures of her kids and my late grandfather, cookies and candies, and a very wonky statue which was recently decapitated by a nurse. Her head has been duct taped back together, and there she stands; a statue of a World War II WAC. After all, my grandmother held tightly to those memories of her time serving in the Women’s Army Corp.

I love the Captain America movies for multiple reasons. They look great, are well written, have emotional depth, and make a real effort at showing gender equality. But the character of Peggy Carter (portrayed by Hayley Atwell, soon to star in ABC’s Agent Carter) will always hold a special place in my heart, especially after seeing Winter Soldier’s version of the character – old, sick, and riddled with Alzheimer memory loss. It hit very close to home. My grandmother is the same age, suffers some of the rapid memory loss, and in the 1940s marched with pride in a uniform very similar to the one Peggy war on screen.

Lesley's grandmother: image provided by Cecelia Morg Purcell

Lesley’s grandmother: image provided by Cecelia Morg Purcell

Now, Peggy Carter’s character is a little different than the WAAC/WAC we know, but not that different. For one, nearly every country in the war, Axis and Allies, opened service to women during this war effort, including British women like Carter. And whether part of the official military or hired to work for military projects, there were many woman working on secret war projects, like the secretaries working with code breakers and science departments. The character of Peggy in Marvel Comics was originally a freedom fighter for the French Resistance, but in the films she’s a member of the Women’s Royal Service working with the Americans on a secret weapons project. Considering First Avenger was firmly rooted in the serial superhero movies from the 1940s, a character like that makes perfect sense – except women never got silly serials about them. And there are truths to her character which would have a long lasting impact on the women’s movement. For women like my grandmother and her friends, the WAC wasn’t just an opportunity to serve their country and help the war effort, it was a chance to embrace a little independence few women were allowed.

Personally, my grandmother was essentially following in her mother’s footsteps. My great-grandmother was a Harvey Girl, working as a waitress for the train company restaurants and hotels. If you’ve ever seen the classic Judy Garland movie, they got a lot right (and a lot wrong), but they did capture something very important about that time for women. If you didn’t want to live at home with your parents, or marry as soon as you reached adulthood, Harvey Girls were an opportunity to gain “some” independence for a few years. Yes, they were restricted by dress code and curfews, but they were given far more independence than most women of that day. Unsurprisingly, my great-great grandmother married the restaurant’s pastry chef, had kids, and left the work force to be “a housewife.” One of those kids was my grandmother.

My grandmother is the type of woman who if she had been born 15 years later, might have had a completely different life which wasn’t the 50s housewife role she eventually took. After all, she informed her mother at 12 years old she would never have kids (ended up having 10), didn’t have any love for housecleaning or cooking, and at 21 joined the WAC. And according to stories she told me, it was one of the best times of her life.

A recruitment station in New York City.

A recruitment station in New York City.

Ironic considering she had a fundamental problem with the idea of the military way of making your bed because “what’s the point” and remembered she was always last one to breakfast which meant cold spongy eggs. And she had a tendency to not be “the best behaved” WAC in uniform (she was always quick with a response) and occasionally had to clean the bathrooms. But for women like her, it provided the only opportunity to spend a few years out of her parents’ house, before marrying, the Army was freedom. And despite her lack of military temperament, she was working without the supervision of her father, or permission of a future husband.

When I asked her what she did in the army, her response was usually, typing. Apparently, she sent a lot of letters out in those years, and she became an impressively fast and accurate typist. Part of the reason she was an excellent office volunteer at the Red Cross and enjoyed working at her husband’s office. But the job strikes me as far less important as the life it afforded her, perhaps because the opportunity to join the WAC came at a time when she assumed marriage and motherhood was a predetermined future. Nothing else seemed possible.

Teletypers.

Teletypers.

But what I do remember my grandmother telling me about, besides having to clean the bathrooms and being sentenced to 30 days of making the barracks bed (don’t talk back to your commander), were two moments she took great pride in. One of those was the day she was taken in by the MPs and talked her way out of trouble.

The day before her wedding, she and my grandfather visited the priest and were walking to dinner. Both in uniform, she was shocked to find herself dragged into the MP station, my grandfather baffled that she suddenly wasn’t by his side. The reason? Enlisted people could not walk side by side with officers (which my grandfather was). Now what she said, she never told me, but she did say she fought back tears and fear and within minutes convinced them to let her go on his arm without so much as a warning.

The other day of great pride was when she marched for Eleanor Roosevelt. She loved Eleanor Roosevelt and meeting her, a quick handshake, was something she told me was the thrill of a lifetime. She walked in a well-pressed uniform of skirt, suit jacket, and hat. And the woman who made all this happen was Oveta Culp Hobby, the director of the WAAC and WAC. Do you know the name? You really should.

A demonstration of The WACS for the Roosevelts, the event my grandmother mentioned being so proud to have taken part.

A demonstration of The WACS for the Roosevelts, the event my grandmother mentioned being so proud to have taken part.

Oveta Culp Hobby advocated for the creation of the Corps to replace the men at war being shipped overseas. She led more than 100,000 women both overseas and at home, most providing administrative services. She was a Texan native who worked for the Texas House of Representatives as a young woman (educated as a lawyer) and worked for the Houston Post with her husband. She eventually took over as the editor and publisher of the paper. After her war service, she also was named Head of the Federal Security Agency and became the first female cabinet secretary in 20 years after Francis Perkins 1933 appointment (it would be another 22 before we saw another). As the first secretary of the Department of Health and Human Services, she was the first woman given the opportunity to create and organize a department. It was her organization of the WAAC and WAC which made her the perfect choice for these positions.

Hobby also led what amounted to 150,000 women in the face of official and unofficial slander against the WAC. Despite General MacArthur telling the press the women serving in the Army, Navy, and Air Force were “my best soldiers” because they worked harder, complained less, and were better disciplined, they still faced criticism from those in and out of the Army. Complaints ranged from claims they were promoting masculinity among women, trying to “replace men” and devaluing women’s role at home and in the family. And to be honest, the WAC kind of was subverting some of these notions of the “Woman’s Role.” They were providing an alternative which included a community of single women and self-sufficiency. And some women who had served and left to marry and have children were unsure if that was the best choice after having the taste of something different.

Swearing in of Oveta Culp Hobby in 1942.

Swearing in of Oveta Culp Hobby in 1942.

Until women were permitted to join the army, the WAC remained an active part of the military, but never gained the attention they drew in the 1940s. It was active for more than 35 years, always as an official, military run organization, with a woman in command. But by the time it was disbanded, it was barely mentioned as having been vital part of integrating the military or its role in the current Women’s movement. After all, a number of the daughters of those early WACs (whether they knew it or not) would become the feminists of the future, going off to college and getting jobs before, or instead of, having a family.

I really wish my grandmother were able to watch a show like Agent Carter because I think she would get a kick out of it (I think she would get a kick out of Captain America: First Avenger too). But I also hope my mother and aunts watch the show and movie, and see that the stylized Peggy has connections to women like Hobby and their very own mother.

So when you sit down to watch Agent Carter, enjoying the humor, action, and spy games, think about some of those women the creators based the character on. The young women who escaped homes to serve, gave of themselves out of a sense of war time obligation, but also for the opportunity to assert independence they never experienced. And the women who took that opportunity to turn it into something even bigger so future women could enjoy opportunities they could never have dreamed of.

Lesley Coffin is a New York transplant from the midwest. She is the New York-based writer/podcast editor for Filmoria and film contributor at The Interrobang. When not doing that, she’s writing books on classic Hollywood, including Lew Ayres: Hollywood’s Conscientious Objector and her new book Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System.

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Chris Evans Helped Betty White to the Stage at the People’s Choice Awards, Is the Boy Scout We All Knew He Was - Stalwart and steady and true.

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Instructions on how to make tumblr explode: This.

I wasn’t watching the People’s Choice Awards last night, but I was scrolling through Twitter when the Earth shook with a mighty force. Betty White had been named Favorite TV Icon, you see, and Chris Evans jumped at the chance to assist the veteran actress to the stage. She didn’t need help, mind you, but when Captain Tight-Buns America offers you his arm, you don’t say no.

 


BlancheHot

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Are Awards Unfair to Popcorn And Comic Book Movies? - Where are your nominations, Chris Evans? Where??

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Captain-America-The-Winter-Soldier-2014

Recently, Deadline published an interesting interview with Anthony and Joe Russo (Captain America: The Winter Soldier) as part of their never-ending “Awards Watch.” The question: should their film be a contender for best picture? Seems simple enough perhaps; if it came out that year and is submitted for consideration, it is a contender. But that isn’t really true.

Awards consideration is as big a business as any other part of Hollywood. It can mean a future of major releases and bigger projects when someone from a little movie is nominated for a major award. To run an awards campaign, studios and PR departments need to divide and conquer; they decide which films are the most likely nominees, and then promote them heavily. So with Disney, there are a few films which are “eligible” for Awards consideration; this year, they had Bears (a documentary), Planes: Fire and Rescue (a cartoon), and the live-action films Muppets: Most Wanted, Million Dollar Arm, Maleficent, and Alexander and the Terrible, Horrible No Good Very Bad Day - none of which will be campaigned for best picture or “major awards.” With the exception of their Christmas release, Into the Woods, it is Disney’s Marvel films which should find themselves in the Awards mix; films like Big Hero Six, and box-office hit/critically-praised Captain America: The Winter Soldier and Guardians of the Galaxy.

But, as always, the superhero genre label ultimately hurts these films chances for serious awards consideration. Big Hero Six has the best chance of earning Marvel some gold statues, having already given The Incredibles the best animated picture honor in 2003; however, no Marvel movie has ever been nominated for any of the other top awards, and since creating The Marvel Cinematic Universe, they’ve received only five Oscar nominations (all technical). DC has done better, most notably with the nominations for The Dark Knight, although the other films under their banner have also been left out in the cold.

So are they being excluded from awards consideration because these movies are bad? Or are they considered unworthy of the honor because of their genre or commercial success? We don’t really know, but the genre argument is an old one. Since 2009, when ten films have been allowed in the best picture consideration, we’ve only seen four sci-fi films nominated (Gravity, Inception, District 9, and Avatar), two westerns (True Grit and Django Unchained), and one musical (Les Miserables). There’s also been a noticeable increase in comedies being considered worthy of the Best Picture award. Pure genre films, though – including fantasy, thrillers, horror, action, and superhero films – are systematically written off. Those which truly embrace genre are especially marked with the scarlet letter of being “unworthy” of any big awards consideration.

And this is true of nearly every “prestigious” award which is voted on by professional peers or critics. The Golden Globes, which often comment on showing more consideration for the merit of comedy and musicals by having two best picture categories skew extremely “seriously” in their drama categories, and frequently favor dramedies and musicals over broad comedies. But once again, a horror, science-fiction, fantasy or action film is even more likely to be left out of the awards race, because most of these films fall somewhere between serious drama and comedy.

It was my hope that Guardians of the Galaxy would be considered a comedy by the Golden Globes this year and to receive a comedy nomination – but to no avail. Films like Captain America: The Winter Soldier tragically fall within neither comedy or drama, and are therefore essentially unable to even be considered – unless the Globes decide to add Action/Horror as its own category next year. Likewise, the acting required in these “genre” films to make them effective is sometimes completely different from what is needed to be considered “award worthy.”

So why are genre films given an automatic mark against them when it comes to awards? Honestly – it’s been like this ever since Hollywood split between auteur and studio films. After the complicated years of Hollywood in transition between studio system and New Hollywood, the Oscars began recognizing films of American auteurs more than studio pictures. At one time, these films included sci-fi and horror, like The Exorcist, Star Wars, and Jaws. However, in the ’80s and ’90s, when the impact of New Hollywood had been felt and dissipated, these filmmakers began working in the renovated Hollywood system, and the Oscars reverted to a larger variety of film genres (there were a shocking number of comedies nominated for best picture). This, however, caused yet another backlash of claims that the best films were not nominated – at the same time that we experienced a new wave of indie directors in the mid-’90s. Since then, there has been an even greater divide between crowd-pleasing genre films which make money, and “prestige” films. As the gap grows between these types of films, it seems less and less likely (rather than more) that genre films will break through to the awards circuit.

So are these prestige films actually better? That depends on what you are looking for. But one thing is certain: a lot of these genre movies have a lot of skill and craftsmanship equal to or better than the prestige films. So why, if best picture is meant to consider “every element of filmmaking,” do these films get left behind? I believe that, so long as there is a division between popcorn and prestige, the awards will continue to be the place where filmmakers attempt to legitimize their profession - and this requires the exclusion of the less serious, more commercial films.

But I would argue that this is actually doing a disservice to the film industry itself. As more and more small films find their way on the marketplace, prestige is less and less their “selling” point, and even these small films must be able to make some profit (not blockbuster numbers, but at least fall in the black). But this system also holds “popcorn films” to a lower standard, and ignores the achievements of the best. Would films like Transformers or The Amazing Spiderman been given as much of a pass if they were expected to be a critical, as well as commercial, success? And what about some of the socio-political commentary in the best “popcorn movies” of the year, such as Captain America: The Winter Soldier, Dawn of the Planet of the Apes, How to Train Your Dragon 2, or the upcoming film The Babadook all films which entertain the audience while approaching very big ideas in interesting and accessible ways.

We’ve all heard that when more is expected of you, and the goal seems achievable, employees work better and accomplish more. One would think the same would be true of this very big industry known as Hollywood. If Hollywood’s elders want their business to stay alive and healthy, expecting more and seeing and acknowledging merit where and everywhere it exists (even in superhero movies) is necessary.

Lesley Coffin is a New York transplant from the midwest. She is the New York-based writer/podcast editor for Filmoria and film contributor at The Interrobang. When not doing that, she’s writing books on classic Hollywood, including Lew Ayres: Hollywood’s Conscientious Objector and her new book Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System.

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Agent Carter Finale Recap: “Valediction” - The end?

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1920In this week’s thrilling conclusion to Agent Carter, there’s no time for jokes because we’ve got a city to save, a deeply flawed inventor to exonerate, and Angie has got to find a new apartment.

[Editor’s Note: Catch up on an entire season of Agent Carter recaps right here!]

We open on the Thrilling Captain America Adventure Hour, where Nurse Betty Carver waits simperingly for Captain America to save her yet again. Good thing that’s fiction, because the aftermath of Ivchenko and Dottie’s movie theater experiment is not pretty. Searching the scene of the crime, Agent Sousa finds the Item Seventeen canister and accidentally sprays himself. He flies into a rage and tries to kill Agent Thompson, but thankfully Carter is on hand to save Thompson yet again.

Meanwhile, in another part of the city, Dottie and Ivchenko are pulled over. Dottie’s as quick on the uptake as Peggy is, though, and she overpowers the cop without messing up a hair on her expertly coiffed head. (Side note: while I like the fact that Agent Carter at least tries to include a racially diverse cast, if there’s a next season I’d really like to see that reflected in the main characters. The Redshirts Of Color trope is getting tedious.)

Sousa comes to, strapped to a bed, recovered from Item Seventeen. This enables the S.S.R. to figure out exactly what happened in the movie theater. And just in time, too, as who should drop by but Howard Stark, who heard somebody needed an exposition dump about one of his inventions!

After Carter, Thompson, and Sousa confront him about all the blood on his hands (two dead S.S.R. men, a theater full of innocent people). He agrees, he’s a terrible person. But there are more important things to worry about, like that exposition dump. It turns out that Item Seventeen is Midnight Oil, a substance Stark invented to erase soldiers’ need for sleep. Instead, it turned them into rage bombs. This, Stark reveals, was the monster behind the Battle of Finow. He told the Russians Midnight Oil wasn’t ready for prime time yet, but they didn’t listen.

Oh, and by Russians, I mean Dr. Ivchenko. Except that’s not his real name. He’s actually Johann Fenhoff, which is what we’re going to call him going forward. Also, the silent Leviathan agents are survivors of the Midnight Oil who had to have their vocal chords removed for reasons that are never entirely explained.

Speaking of Fenhoff, he and Dottie have just pulled up to an airplane hangar when he hears over the radio that Stark is back in town. “Our plans have changed,” he tells Dottie after she’s just gone to all the trouble of murdering the guy guarding the planes.

Howard also has a plan. He’s going to hold a press conference warning everyone about Fenhoff and Midnight Oil. At the press conference, Thompson officially vindicates Stark on behalf of the S.S.R., despite the fact that Stark is an annoying asshole I wish would go away forever. Man, who would have thought, at the beginning of all this, I would have been rooting for Howard Stark and hating Agent Thompson. My, how the tables have turned.

DOMINIC COOPER, CHAD MICHAEL MURRAYWhile Stark is hamming it up, shots are fired! The S.S.R. agents manage to get Howard away from the sniper, but in the process they put him in a car with the same cop who pulled Dottie and Fenhoff over last night. He’s been hypnotized to do their bidding and drives off with Stark before anyone really knows what’s going on.

Across the street, Carter and Thompson search a hotel room for the source of the gunshots, which turns out to be a sniper rifle set on some kind of auto mode. The assassination attempt was a diversion meant to get Stark into the hands of Fenhoff. But what’s his next move? Where will the Midnight Oil attack take place? Then they realize it’s the anniversary of V-E Day, and Fenhoff’s plan is to unleash the gas on Times Square where thousands of people will be gathered.

While they’re figuring all this out, Sousa is on the trail of that cop car. But he’s one step behind, as the car is empty except for the dead cop. But where is Stark? Getting pistol whipped by Dottie for not remembering her name, that’s where. Turns out, they went on a date six months ago. I felt like this was a little out of character for Dottie, but it’s fun to watch and gives both of them something to do while the wheels of the plot turn.

As it turns out, Stark had another vault. This one is for his planes and cars, and he stupidly showed it off to Dottie when they hooked up. But being a womanizing creep isn’t the only reason he’s tied to a chair. Fenhoff has big plans for him. You see, he saw what happened at the Battle of Finow, he was there with a gas mask though his brother wasn’t so lucky. He knows all about Stark’s terrible inventions and how often they turn out to be deadly. And now he’s going to make Stark pay for all the lives he’s taken.

Fenhoff hypnotizes Stark by having him remember Steve Rogers’ plane crash. I’m a little confused by this sequence, since it implies Howard knew where Steve’s plane was and that he was still alive. Unless this vision is meant to be a fantasy, unlike all the others? Anyway, Howard hops into a plane and takes off for what he thinks is the Arctic Circle to make a dramatic rescue. Except it’s really Times Square. I’ll avoid making any sort of joke equating the two, because I live in Los Angeles where it’s 70 degrees and sunny right now.

Luckily, Carter and the S.S.R. are on the trail. Jarvis is the only one of them who knows how to fly a plane (I guess there really is something Peggy Carter can’t do), so he volunteers to shoot down his own boss if it becomes necessary. While he does that, Peggy finds Dottie and they finally fight it out. It’s fun to see Dottie fighting Buffy-style, punctuating her slick moves with sassy little quips. Dottie shouldn’t be too confident, though, because while Peggy isn’t the prettiest fighter, she takes advantage of Dottie’s monologue to catch her off guard and kick her out a window. Peggy rushes to the radio and patches through to Stark, who is deep in his vision of rescuing Cap.

BRIDGET REGAN, HAYLEY ATWELL, RALPH BROWNIn another part of the hangar, Sousa finds Fenhoff, who has already found, and knocked out, Thompson. Fenhoff attempts to brainwash Sousa, which should be easy since he has so many demons from the war. However, knowing that the key to Fenhoff’s hypnotism is his voice, Sousa plugged his ears. Because he is awesome. He takes Fenhoff out.

Flying above New York Harbor, Jarvis has Stark’s plane in his sights. It’s time to pull the trigger but it’s ultimately Peggy’s call. Stark really believes Cap is alive, and Peggy knows if she can convince him they need to move on and let Steve be at peace, she has a chance of breaking the brainwashing. She talks it out, and it’s clear Howard isn’t the only one she’s trying to convince that it’s time to let Captain America go. And it works! Stark snaps out of it just in time to spare Manhattan from being the setting of 28 Days Later.

A new day dawns in New York City, and Peggy is finally recognized as the heroic S.S.R. agent she is. But Dottie has disappeared from where she fell, off to fight another day. And even better, while the S.S.R. might know the truth about Peggy’s role in saving the city and praises her for it, the US government gives all the credit to Thompson. It’s almost enough to make you hate him again.

THEN SOUSA ASKS PEGGY OUT AND I DIED.

Sadly, Peggy turns him down, and Sousa looks extremely heartbroken. But Peggy smiles, at least? I can’t decide exactly what’s happening in this scene. The realist in me knows that Peggy and Daniel aren’t going to be together, and he’s just the cute guy she gets to turn down because Peggy Carter don’t need no man. The fangirl in me, however, is wondering whether maybe Peggy didn’t realize he was into her until right now? And maybe that smile was a sudden flash of “OMG SOMEBODY LIKES ME!” Maybe she goes to meet up with Angie, and the whole ride there she’s playing through every interaction they’ve ever had, and thinking about exactly how cute Daniel Sousa is, and what even is the S.S.R. policy on interoffice relationships? Or, more likely, she’s just smiling because the friend she’s meeting up with later is Angie. And Angie rules.

But don’t worry, folks, there’s service for everyone’s ship, because it turns out that, to make up for ruining their reputation with Miriam Fry back at the Griffith, Howard Stark is putting Peggy and Angie up in one of his swankier Manhattan homes. Together. Because they’re roommates. And besties. And maybe more, if you’re into the Peggy/Angie thing. And who isn’t?

Peggy and Jarvis have an emotional goodbye, and he returns the last vial of Steve Rogers’ blood to her without anyone else’s knowledge. She decides to pour it off the Brooklyn Bridge and into the East River rather than holding on to it. Peggy Carter has moved on. The End. Carter out, y’all.

But this is a Marvel show, so you know there’s a tag.

Fenhoff is bringing some serious Hannibal Lecter realness to his time in prison. And who’s his new cell mate? None other than Dr. Zola, the creepy architect of Hydra’s post-war transition. You see, Fenhoff and Zola have tons to talk about. And Zola brought a pen and paper so they can pass ominous notes about world domination. Because, yeah, if you thought Fenhoff’s brainwashing technique seemed similar to Hydra’s you were right.

The credits roll, and I, for one, am staying tuned for Season Two. Hint hint, Marvel and ABC.

What did you guys think of the last episode? Exactly how long do you think Dottie’s going to lay low before she starts causing trouble again? Will Angie get her big break? Is Thompson going to go back to being an asshole? And exactly how does all this fit in with Carter and Stark eventually founding S.H.I.E.L.D.?

Sara Clarke is the creator of the web series Fake Geek Girls. When she’s not writing and directing her own film projects, she’s coming up with new questions for her next live trivia comedy show and slaving away at her TV production day job. She reads Ms. Marvel religiously. Find her on twitter: @sara_clarke.

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Sorcery! A Visual Effects Breakdown of Captain America: Winter Soldier - Featuring dat Dorito bod running backwards.


Alternate Captain America: Winter Soldier Scenes by the Film’s Storyboard and Animatics Artists

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In this alternate scene from Captain America: The Winter Soldier, reconstructed from storyboards by the movie’s animatics artist, James Rothwell, Cap and Nat have a very different conversation with Arnim Zola’s AI consciousness than what made it into the final film. In this version, Zola isn’t quite so ready to let himself be destroyed.

Rothwell has uploaded several alternate scenes over the last month or so, and you can see three more variations below: the mall scene, Fury’s car chase, and Cap’s elevator escape.

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Typical: Chris Evans Says “Nobody’s Right, Nobody’s Wrong” in Civil War

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[brief pic description]

In a classic display of Cap diplomacy, Chris Evans refused to take Civil War sides during a massive Salt Lake Comic Con panel this weekend devoted entirely to Captain America.

In front of an audience of 4,500 Cap fans (!), Evans offered some details on how Civil War will differ from its comic source material, and revealed who he (Chris, not Cap) would side with:

Tony actually thinks we should be signing these accords and reporting to somebody and Cap, who’s always been a company man and has always been a soldier, actually doesn’t trust anymore. Given what happened in [Captain America: The Winter Soldier], I think he kind of feels the safest hands are his own.

[…] These are understandable concerns, but this is tough because, even reading the script, you think I think I agree with Tony in a way, and I do agree that to make this work, you do need to surrender to the group. It’s hopefully what will make the movie great is nobody’s right, nobody’s wrong.

We’re reaching the point in Civil War mania where I’m already starting to conflate the actors with their characters, so I’d be interested to hear if Robert Downey Jr. has similar thoughts about which side has the ethical upper hand.

[brief pic description]

What do you think?

(via Uproxx)

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Marvel Releases “Phase Two” Boxed Set, Giving Us Reason to Buy All These Movies All Over Again - But THAT MORAG ORB, THO.

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Marvel phase 2 box

As loyal Marvel fans (as I’m sure many of us are), you probably already have a bunch, if not all, of the Phase Two movies. Well, get ready to spend money buying them all over again.

Marvel has released a first look at their Phase Two Blu-ray/Blu-ray 3-D/Digital boxed set, which looks pretty sweet and comes with a life-size prop replica of the Morag Orb from Guardians of the Galaxy! And OMG, it looks like it lights up. Whaaaaat? In addition to that awesome prop, the set also comes with a gold-foiled page from the book of the Dark Elves, an ancient drawing from the Morag vault, Avengers and S.T.R.I.K.E. uniform patches, a replica of the Tony Stark tattoo from Iron Man 3, and some other knick-knacks and doodads that should make any Marvel fan happy.

And, of course, there are the films themselves, each of which seems to come in a beautifully designed, minimalist slip case. Check out the full list of what’s included:

CONTENTS:
Marvel’s Iron Man 3 (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Thor: The Dark World (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Captain America: The Winter Soldier (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Guardians of the Galaxy (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Avengers: Age of Ultron (Blu-ray 3D + Blu-ray + Digital Copy)
Marvel’s Ant-Man (Blu-ray 3D + Blu-ray + Digital Copy)
1:1 Prop Replica of the Orb
PLUS an Exclusive Bonus Content Disc with 166 minutes of bonus material and more!

BONUS FEATURES:
From Here To Infinity: Phases 2 & 3 Of The M.C.U.
Journey back through Marvel’s Phase 2 films, from its launch in Iron Man 3 through its fulfillment in Ant-Man, to see how individual characters grow and change, how their relationships with each other evolve over time, and how the universe itself expands with each story. Listen to filmmakers discuss the first set of Phase 3 films– Marvel’s Captain America: Civil War, Marvel’s Doctor Strange, and Marvel’s Guardians of the Galaxy 2 – and discover there are no limits to the adventure!
Phase 2 Tag Scenes: A Making-Of
Learn the story behind the post-credit sequence in Marvel’s Phase 1 and 2 movies, and explore how the scenes connect and unify the far-flung characters and worlds of the Marvel Cinematic Universe.
Marvel One-Shot: The Consultant w/Audio Commentary By Clark Gregg
Marvel One-Shot: A Funny Thing Happened On The Way To Thor’s Hammer With Audio Commentary By Clark Gregg
Marvel One-Shot: Item 47 With Audio Commentary By Louis D’Esposito, Max Hernandez, Titus Welliver And Jesse Bradford
Marvel One-Shot: Agent Carter With Audio Commentary By Louis D’Esposito And Hayley Atwell
Marvel One-Shot: All Hail The King With Audio Commentary By Drew Pearce And Ben Kingsley
Iron Man 3: Deleted Scenes
Iron Man 3: Preproduction Creative
Thor: The Dark World: Deleted Scenes
Thor: The Dark World Preproduction Creative
Captain America: The Winter Soldier: Deleted Scene With Audio Commentary By Anthony Russo, Joe Russo, Christopher Markus, Stephen McFeely
Captain America: The Winter Soldier – Preproduction Creative
Guardians of The Galaxy: Deleted Scenes
Guardians of The Galaxy: Preproduction Creative
Avengers: Age Of Ultron: Deleted Scenes
Avengers: Age Of Ultron: Preproduction Creative: Hulk vs. Hulkbuster
Ant-Man: Deleted Scenes
Ant-Man: Preproduction Creative

Add this one to your holiday shopping list. The Marvel Phase Two boxed set will be available exclusively through Amazon December 8th.

(via Comic Book Resources; Image via Marvel)

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Who Is Bucky Barnes? How Sebastian Stan Will Play “Sort of a New Character” in Civil War

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Bucky Barnes

Sebastian Stan gives fans of the Captain America/Bucky Barnes fandom (a.k.a. “Stucky”) a lot to chew on in his most recent quotes about working on Civil War and his own character’s development. EW‘s coverage is downright poignant, opening with the quotes in Winter Soldier in which Steve hears Bucky identify himself as “Your pal… your buddy… your Bucky.” But the Winter Solider isn’t Bucky — not exactly, as Stan explains …

I mean, what have we gotten as a result of Bucky and the Winter Soldier? You know, here’s the guy when you merge the two. This is what came out. To me, he’s never really going to be Bucky Barnes again. There’s going be recognizable things about him, but his path through the [experiences of] Winter Soldier is always going be there, haunting him. He recognizes his past, but at the same time he’s sort of a new character, too.

Stan emphasizes also that Bucky has a lot of unresolved trauma, due to the experiences he’s undergone:

It doesn’t just suddenly all come back to him, just because he’s learned certain things about himself. It’s not like he immediately has all these emotions and feelings and point of views about people and families that he’s dealt with — or Steve. The knowledge is there, but the emotions aren’t explored yet, which also makes it very interesting to play.

How does his long-lost buddy Steve about all of this? Well, Sebastian Stan has some thoughts:

After so many years of being loyal and morally impenetrable and always doing the right thing that [Captain America] wouldn’t somehow at some point go, “Man, like, what am I fighting for? What’s my life? What am I living for?” I think this movie very much tackles those questions for Steve Rogers. He’s been questioning things I think for a long time and this is where he’s deciding to follow his instincts and not what people tell him is right or wrong.

Damn. “What am I living for?” I figure the answer to that question is Bucky Barnes … swoon.

(via Uproxx, image via Tumblr)

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What to Make of Zootopia’s Popularity and Critique in China

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zootopia2

Zootopia is an accessible and incredibly timely movie, a fact that seems to resonate with both its fans and its critics. Bloomberg reports that Zootopia overtook Kung Fu Panda 3 as the highest-grossing cartoon in China since its release on March 4th. The film, which touches on stereotypes, prejudice, and intersectionality centers around rabbit cop Judy Hopps and con-fox Nick Wilde uncovering a conspiracy within the metropolitan Zootopia that’s aggravating the relationship between predators and prey.

However, while a lot of viewers loved the social commentary that accompanied the movie, LA Times shared Wang Chuanbao’s thoughts and China’s history of restraining “western influence.” The professor and writer for The People’s Liberation Army Daily denounced the film as American propaganda in a commentary headlined “How can a sheep be turned into a ‘crazy’ scapegoat?”:

Hollywood has long been an effective propaganda machine — it has a deep understanding of the U.S.’s [political] strategies. Many Hollywood blockbusters will carefully select a topic or theme, and spare no efforts to promote America’s values and its global strategy.

If one thinks carefully about it, if a rabbit can strike back, are there any ‘American Dreams’ ordinary people cannot realize? In cruel reality, it is always wolves that eat lambs, not lambs that eat wolves…. Hollywood easily reversed a thing so simple that even kids know it, and thus attracted a huge audience.

…Comparing to [other] cartoons and video games, ‘Zootopia’ is more subtle. It has no obvious hostile propaganda, no deliberate distortions, which makes it easier to lose one’s vigilance.

China is the world’s second-largest market and has a foreign film import quota every year. (Stephen Colbert makes fun of this relationship and the pandering it leads to here.) It’s been said that the choice to cast Tilda Swinton in Dr. Strange was to avoid The Ancient One’s Tibetan origin and appease China. Essentially, the messages of protest, “American values,” or fighting against assigned roles and government powers can be therebut not too present. LA Times refers to the Disney film as a “Trojan horse.”

This reception makes me think about how Captain America: Winter Solider was also very popular in China. If you don’t remember, the film follows Steve Rogers, Black Widow, and Falcon similarly discovering and confronting a conspiracy within S.H.I.E.L.D. The popularity of an American hero in China was attributed to a number of reasons like the stars touring Beijing, the film being action-packed, and Chris Evans’ chiseled face. However, also resonant with some viewers was the film’s definition of patriotism. One Douban reviewer wrote, “[The new villain] is the very country he loves and protects. To love one’s country isn’t the same as loving one’s government: This is the main draw of Captain America.”

While I don’t think these two movies appear in conversation with one another too often, the similarities are there. Both feature a protagonist struggling with integration into a new environmentSteve to the modern world and Judy to a new city. It turns out things aren’t as they look, and they have to reevaluate who they trust. While these might just be indicative of narrative archetypes, there is something to be said about how these protagonists dissect the relationship between dedication to one’s country/Zootopia and one’s government.

Media doesn’t always translate well across cultures, but it’s interesting to examine why certain films do. The Big Bang Theory, for example, has accumulated to over 1.3 billion views since it first aired in China, and many youth stated that they saw themselves in the characters. With men largely outnumbering women, a challenging job market, and low social mobility, the show even sprung large amounts of domestic imitations (none of which did nearly as well).

The above critique is a bit frustrating to read, but Wang’s comment that “it is always wolves that eat lambs, not lambs that eat wolves” is exactly the kind of prejudice that Judy Hopps fights against (unless, you know, symbolism, metaphors, or allegories are completely lost on you, in which case yes: a lamb’s diet consists mostly of plants.) Zootopia is a fantastic challenge to the notion that we have to surrender to “cruel reality” and that truly caring for something, whether it be a city, a country, or another person, doesn’t always mean following the rules.

(via Cartoon Brew, image via Disney)

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